En la configuración de escuelas con énfasis en formación político-pedagógica, reconocemos en AgroArte como su apuesta agraria logra apropiarse del territorio y fortalecer el tejido social, además de invertir las lógicas de relacionamiento propias del capitalismo. En los hallazgos se reconoce cómo las Escuelas de hip hop cuestionan la naturalización de las figuras "joven popular-violento por naturaleza" y "mujer sumisa al patriarcado". En el trabajo de campo se revisa el contexto político y social donde emergen las Escuelas de Hip hop en Medellín, reporta un panorama de tensión, pues la vida cotidiana de los barrios populares está marcada por la violencia armada (narcotráfico, guerrilla, delincuencia común). La unidad de análisis son los procesos formativos en escuelas de hip hop, que considera una muestra razonada de dos escuelas, se trata de AgroArte y Red Feminista. La investigación Territorios sonoros: Escuelas de hip hop en Medellín, reconoce en la cultura hip hop una modalidad de creación y formación musical urbana a través de las Escuelas de Hip hop, consideradas espacios simbólicos de resistencia que configuran dispositivos estético-político-pedagógicos que promueven formas disruptivas de formación artística.
New immortal technique occupy this album for free#
This book is open access and can be downloaded for free at: Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. Ninochka McTaggart, PhD, Senior Researcher, Geena Davis Institute on Gender in Media, USA This book illuminates a subculture that is rarely explored, shining a light on independent hip-hop’s power to counter mainstream ideology.” “Christopher Vito has written an informative and compelling book on independent hip hop that examines how complexities of race, gender, class and sexuality are confronted within the genre. DJ Kuttin Kandi, DJ, Artist, Organizer, and Activist We look to team up socially conscious known and accomplished artists, with other artists that could use a light shined on them by those same artists.“A necessary read for every researcher, historian, scholar and hip-hop fan that seeks to better understand independent hip-hop and aspires to rebel and utilize hip-hop as a tool of resistance." There are also numerous more obscure musicians featured, which, as Music for Occupy explains is part of the point of the album: “We look to give voices and opportunities to artists who support our vision specifically artists who most have never been heard before, and have many troubles making it in today’s industry because their message is just not “Pop” enough. All of these artists donated the tracks free of charge. Released this week for $9.99 by Music for Occupy, a nonprofit production company working in solidarity with Occupy Wall Street, to which it is funneling all profits from the project, the album contains plenty of familiar names, like Yoko Ono, Third Eye Blind, Debbie Harry, Jackson Browne, Joan Baez, Yo La Tengo, Ani DiFranco, Willie Nelson, David Crosby & Graham Nash, Thievery Corporation, Immortal Technique, and, of course, Tom Morello, the musical patron saint of Occupy.